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Wood wore bracelets on her left wrist, to cover a break at age 10 that didn’t heal properly.Throughout the movie, Natalie Wood wears a bracelet on her left wrist, not for any aesthetic reason, but because she had injured her wrist in the scene of The Green Promise (1949) when she fell on the bridge that collapsed during the severe rainstorm, causing an unsightly bone protrusion on her wrist.At 15 she had a “serious friendship” with Frank Sinatra, and at 16 she began a sexual relationship with 43-year-old Nicholas Ray, the director of “Rebel Without a Cause.” That film focused on teen-age alienation and mirrored themes from Wood’s own experience.
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Natalie Wood was a Hollywood darling at the height of the Golden Age of filmmaking. Having begun her career as a toddler, the actress was one of few who were fortunate enough to make the transition from child star to successful young adult performer. Before her tragic and untimely death at age 43, Wood was the recipient of numerous accolades, including four Golden Globe wins and three Academy Award nominations.
But her life behind the scenes was anything but glamorous. From the complicated relationship she had with her mother, to her many public romances, to the mysterious circumstances surrounding her death, here are the heartbreaking details of Natalie Wood’s life.
#NatalieWood #Actress #Celeb
Complicated childhood | 0:00
Forced to act | 1:16
Childhood accident had lifelong effects | 2:26
A traumatizing attack | 3:38
Temporary suspension | 4:32
Infidelity ended Wood’s first marriage | 5:31
Personal and career troubles | 6:45
A very rough 1966 | 7:46
Tragedy on the water | 9:00
Unanswered questions linger | 10:17
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why did natalie wood always wear a bracelet 주제에 대한 자세한 내용은 여기를 참조하세요.
So, Why Did Natalie Wood Always Cover Up …
The fracture healed without being properly re-set, but in such a way that the bone protruded slightly. She never opted for corrective surgery, and for the rest …
Source: amanoutoftime.livejournal.com
Date Published: 7/11/2022
View: 1887
Why Did Natalie Wood Always Wear a Bracelet – WesleyminKey
Ever notice how Natalie Wood always wears a chunky bracelet on her left wrist. Kazan writes that he cast her in the role partly because he saw in Woods …
Source: wesleyminkey.blogspot.com
Date Published: 9/20/2021
View: 1838
Why Did Natalie Wood Always Wear a Bracelet – Emilee-has-Kirby
Jul 11 2013 – Ever notice how Natalie Wood always wears a chunky bracelet on her left wrist. She always wore large bracelets on her left wrist to cover a bone …
Source: emilee-has-kirby.blogspot.com
Date Published: 6/13/2021
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Natalie Wood injured her left wrist while filming The Green …
When found, she was not wearing one of her bracelets and was unglamorously dressed for bed–kneesocks, flannel nightgown, etc. She d not …
Source: www.reddit.com
Date Published: 6/5/2022
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Why Did Natalie Wood Always Wear a Bracelet – LinBlogObrin
It was published in a European magazine in 1981 but then withdrawn from circulation when Natalie died that year in a drowning accent.
Source: linblogobrin.blogspot.com
Date Published: 10/19/2021
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10 Tragic Facts About The Life And Death Of Natalie Wood
2. She Always Wore Bracelets To Cover Up An Old Injury. While filming The Green Promise in 1949, a scene called for the young actress to run …
Source: littlethings.com
Date Published: 2/17/2021
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Why did Natalie wood always wear a bracelet on her left wrist?
An accent on a movie set when she was 9 years old left her with a permanently weakened left wrist and a slight bone protrusion, which, …
Source: www.answers.com
Date Published: 9/25/2022
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Natalie Wood’s Life in Photos – Harper’s Bazaar
Wood’s penchant for dazzling jewelry was well-known, but it turns out there was a very practical reason for her bulky bracelets. After her …
Source: www.harpersbazaar.com
Date Published: 5/3/2021
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- Date Published: 2021. 5. 22.
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Why does Natalie Wood wear a bracelet?
Throughout the movie, Natalie Wood wears a bracelet on her left wrist, not for any aesthetic reason, but because she had injured her wrist in the scene of The Green Promise (1949) when she fell on the bridge that collapsed during the severe rainstorm, causing an unsightly bone protrusion on her wrist.
Did Natalie Wood have a relationship with Frank Sinatra?
At 15 she had a “serious friendship” with Frank Sinatra, and at 16 she began a sexual relationship with 43-year-old Nicholas Ray, the director of “Rebel Without a Cause.” That film focused on teen-age alienation and mirrored themes from Wood’s own experience.
Why did Natalie Wood change her name?
After Natalie started acting as a child, David Lewis and William Goetz, studio executives at RKO Radio Pictures, changed her last name to Wood, in reference to director Sam Wood. Wood’s only full sibling, Svetlana Gurdin (the family had changed their surname), was born in Santa Monica in 1946.
Was Natalie Wood Russian or Ukrainian?
Natalie Wood was an American actress of Russian and Ukrainian descent. She started her career as a child actress and eventually transitioned into teenage roles, young adult roles, and middle-aged roles. She drowned off Catalina Island on November 29, 1981 at age 43.
Who did the singing in West Side Story?
Did the actors sing in West Side Story?
Several songs in Steven Spielberg’s West Side Story (2021) are performed live by the cast, with certain attributes making it clear that the powerful singing is not prerecorded.
How much was Natalie Wood worth at the time of her death?
Natalie Wood net worth: Natalie Wood was an American actress who had a net worth of $2.5 million at the time of her death, which is the same as around $6 million today. She is best-known for starring in movies like “Rebel Without a Cause”, “Miracle on 34th Street” and “West Side Story”.
What was Natalie Woods waist size?
| Birth Name | Natalia Nikolaevna Zakharenko |
|---|---|
| Breast Size | 34 |
| Hips Size | 35 |
| Waist Size | 23 |
| Body Shape | Hourglass |
How old was Marilyn Monroe when she died?
In June 1962, Fox dismissed the actress after repeated and extended absences from the set of Something’s Got to Give. On August 5, 1962, Monroe was found dead from an overdose of barbiturates in her home in Brentwood, California. She was 36 years old.
Who was responsible for Natalie Wood’s death?
Wood’s death was initially ruled an accident, but her death certificate was amended in 2012 to change her cause of death from drowning to “drowning and other undetermined factors.” The “Miracle on 34th Street” star’s sister told The Post in 2021 that she always has believed Wagner was responsible for Wood’s death.
When did Natalie Wood lose her virginity?
Even so, she continued to make her directors love her. One of them, the bisexual Nicholas Ray, age 43, took the very willing 16-year-old Natalie’s virginity during the filming of Rebel Without a Cause.
What famous Americans are from Ukraine?
- Nick Adams – actor, screenwriter.
- Nina Arianda – actress and Tony Award winner.
- Anthony Atamanuik – actor and comedian.
- Pat Bilon – actor.
- Natalie Burn – actress.
- Matt Czuchry – actor.
- Irina Dvorovenko – ballet dancer and actress.
- George Dzundza – actor.
Is Prokofiev a Ukrainian?
Prokofiev was, in fact, Ukrainian, though in an anachronistic sense. He was born in 1891, in the village of Sontsovka, presently known as Sontsivka, in eastern Ukraine. Thirty miles to the east is Donetsk, which has become the capital of the People’s Republic of Donetsk, a Russian-backed separatist entity.
Who is the most popular sports star in Ukraine?
A couple of the great Ukraine sports stars are brothers Wladimir Klitschko and Vitali Klitschko. Both were legendary boxers who won gold medals and world titles. There are famous Ukraine soccer players, like Andriy Shevchenko and Andriy Yarmolenko.
Who is Natalie Wood’s daughter?
Natasha Gregson Wagner (born September 29, 1970) is an American actress. She is the daughter of film producer Richard Gregson and actress Natalie Wood.
Who was Natalie Wood mother?
Natasha Gregson Wagner honors her mother Natalie Wood’s legacy with a new lifestyle brand
A makeshift wooden sign propped at the base of an overgrown tree in front of the Venice home of Natasha Gregson Wagner, daughter of the late actress Natalie Wood and British film producer Richard Gregson, declares “Fairy House” in a child’s off-kilter lettering. It’s easy to miss, as is the fairy home, constructed of tiny wooden blocks perched in a nook of the tree.
The whimsical work of 4-year-old Clover, Gregson Wagner’s daughter with actor-husband Barry Watson, seems a fitting introduction to Wood’s storied legacy as an actress and mother, which is often overshadowed by her untimely and controversial drowning in 1981 off Catalina Island.
Today Gregson Wagner, who was just 11 years old at the time, is taking a break from her acting career to focus on a new lifestyle brand dedicated to golden memories of her mother. Earlier this month, she sat down over coffee to talk about forthcoming products and to reminisce about her mother’s style.
Natasha Gregson Wagner is preserving her mother’s legacy with the new book “Natalie Wood: Reflections on a Legendary Life” by Manoah Bowman and through a series of style-related products. (Christina House / For The Times )
“I’m 46 [years old] now, and she died when she was 43,” said Gregson Wagner. “So I feel like I’m her mom now in the way that I am shepherding her legacy out into the world the way a parent would take care of a child. It’s come full circle and has been incredibly healing.”
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The new biographical coffee-table book “Natalie Wood: Reflections on a Legendary Life” by Manoah Bowman with Gregson Wagner (Running Press: $35, 320 pp.; also available in an $85 limited-edition signed by Gregson Wagner, her half-sister Courtney Wagner, and her 86-year-old stepfather-actor Robert Wagner at nataliefragrance.com) debuted Oct. 11 and offers an in-depth look at Wood’s film career, while shining new light on her private life with many never-before-seen images and family commentary.
In addition, TCM will be airing 12 of Wood’s films through November. “Many of her films were really very good and ahead of their time at that time in our society,” said Robert Wagner, who wrote the forward to the coffee-table book. “It’s quite interesting.”
This spring marked the introduction of Natalie, a gardenia-focused fragrance ($95 for 1.7 ounces) that is a nod to Wood’s signature perfume, reinvented with fresh notes of orange flower and hints of freesia and rose. This month, a candle ($55) was added to the collection, as was a gift set featuring the eau de parfum, a purse spray and body cream ($125), exclusively at Macy’s stores and macys.com. Next up, likely in time for Valentine’s Day, are a shower gel, room spray and reed diffuser.
Barbara Stanwyck, with whom Wood starred in the 1946 film “The Bride Wore Boots,” first gifted the then-8-year-old actress with a bottle of Jungle Gardenia perfume by Tuvaché that she had admired. Wood proceeded to send bottles to friends who complimented her on the scent.
This spring marked the introduction of Natalie, a gardenia-focused fragrance ($95 for 1.7 oz.) that is a nod to Natalie Wood’s signature perfume, reinvented with fresh notes of orange flower and hints of freesia and rose. (Christina House / For The Times )
“My memory is of her always wearing it,” said Gregson Wagner. “My mom’s birthday is July 20, and gardenias are a summer flower. So I remember on her birthday that my dad would send so many gardenias to our house [on North Canon Drive in Beverly Hills], and it would smell amazing. We also grew them in the garden.”
The scent of Jungle Gardenia “would linger for three days in your room after she walked out,” celebrity photographer Michael Childers notes in the new biography about Wood.
As for her own signature scent, Gregson Wagner gravitates toward orange flower.
“I love Frederic Malle’s Bigarade Concentrée fragrance [with bitter orange notes], and there is an orange grove on the property next door to us in Venice. So in the springtime you can smell the flowers,” she said. “That’s definitely my favorite scent. So I wanted to add a lot of it to soften the gardenia fragrance because gardenia can be really powerful.”
Gregson Wagner has partnered with perfumer Claude Dir of French fragrance house Mane to create the perfume. And there are more fragrances in the works, scheduled to be released in 2017 and beyond. One is a spicy rose scent inspired by Wood’s role as burlesque entertainer Gypsy Rose Lee, in the 1962 film “Gypsy,” while another evokes the smoky scent of incense “because my mom was Russian, so we spent lots of time in Russian churches when I was growing up.” A third, likely related to Wood’s famed 1961 turn as Maria in “West Side Story” “will feel very fresh and clean and pretty” and is due out in 2018, the year Wood would have turned 80 years old.
“Memory is oftentimes triggered through the senses, and smelling something can take you back to a time with somebody you love,” said Gregson Wagner. “Because my mom was an actress, I have so many of her films, so I can hear her voice and I can see her, but the smelling of her is something I can only evoke through the scents that I am re-creating. When we were growing up, my mom burned Cypres candles by Rigaud [a blend of lavender, pine and cedar], so I love that smell too — mixed with the end of my parents’ dinner party, scents of cigarettes [smoldering] out and the wine that had been drunk. They entertained a lot. I remember the sound of everybody laughing and telling stories and that smell of the house.”
When it comes to personal style and home decor, Gregson Wagner emphasized that she and her mother couldn’t be more opposite.
“In every way, my mom was Russian [Wood’s parents were immigrants],” said Gregson Wagner. “She was opulent. She had lots of objets. And she was a movie star. [Photos of Wood’s fussy, French Rococo-style interiors are featured in the book.] I’m definitely more minimal and cleaner and I like to have less stuff…. I just buy a couple things a season that I love. My mom was a major shopper. Her favorite boutiques were Boulmiche for pieces like patterned silk shirts and [the now-defunct] Jag for jeans.I don’t remember her being super-into big labels, aside from Porthault for robes and nighties and sheets. She loved hippie dresses and tops from India. Unfortunately, she left all her clothes to my aunt [Lana Wood] who sold them a long time ago. So we don’t have any, which is a bummer, but we’ve let it go. ”
The 46-year-old scuttled around her clean-lined, clutter-free Venice home in bare feet and an understated gray dress by New York designer Jane Mayle, that has been in her wardrobe for 15 years, cinched with a “fake Hermès belt from a thrift store.” Her current fashion uniform is a mix of Céline (“I’m talking a pair of shoes or a purse because it’s expensive”), J. Crew, L.A. label Co co-designed by friend Stephanie Danan and her husband Justin Kern, and vintage “hippie dresses” from General Store in Venice or Swedish e-commerce site TheasVintage.com.
“My home style is also so different from my mom’s,” she said, “I always wonder if she had lived, would she have evolved into something more modern and minimal?”
Gregson Wagner, however, does nostalgically don her mother’s jewelry. Lately, she’s worn a Van Cleef & Arpels enamel butterfly necklace and a crocodile-textured gold Tiffany & Co. bracelet. Wood wore bracelets on her left wrist, to cover a break at age 10 that didn’t heal properly.
Forty-two-year-old Courtney Wagner, daughter of Robert and Natalie, once designed fine jewelry with childhood friend Anita Ko under the label Wagner & Ko and is thinking of re-creating some of their mother’s pieces.
“You can imagine how very, very proud I am of the way they’ve done this and the legacy they’re creating for their mother,” Robert Wagner said. “I don’t have anything to do with this at all. I just stand back and watch. They do everything. And I’m sure that whatever they decide to do will have a marvelous sense of taste about it. There were so many things about [Natalie] that they can utilize in the future for her legacy.”
The half-sisters are also discussing a potential line of sheets embellished with Wood’s favorite symbols. And then there are her trademark smoky eyes and red lips — beauty products such as gardenia-scented lipstick and eye shadow are also on the table.
A percentage of proceeds for every item the brand sells is donated to CoachArt, an L.A.-based nonprofit that offers free instruction in athletics and the arts to chronically ill children and their siblings.
“An astrologer taught me that when you put your hands together [in the Buddhist culture], it represents heaven and Earth coming together,” said Gregson Wagner. “They’re not as far apart as we think. So when I see a butterfly [Wood loved them] or smell something that reminds me of my mother or somebody sends me a pair of her shoes, I think, ‘Oh, yeah, She’s right there.’ Right. There. Just in a different dimension.”
Câu Chuyện Phía Tây (1961)
Roger Ebert placed this film on his “Great Movie List”, but he also said it had been diminished over the years by the increased standing and cult status of Singin’ in the Rain (1952). Ebert gave West Side Story (1961) 4 stars; but added: “Although “West Side Story” was named the best picture of 1961 and won 10 Academy Awards, it is not much mentioned by movie fans these days, and the old warhorse “Singin’ in the Rain” is probably more seen and certainly better loved. “West Side Story” was the kind of musical people thought was good for them, a pious expression of admirable but unrealistic liberal sentiments, and certainly its street gangs at war – one Puerto Rican, one the descendants of European immigrants – seem touchingly innocent compared to contemporary reality”. Ebert went on to damn “West Side” with faint praise: “So the dancing is remarkable, and several of the songs have proven themselves by becoming standards, and there are moments of startling power and truth. “West Side Story” remains a landmark of musical history. But if the drama had been as edgy as the choreography, if the lead performances had matched Moreno’s fierce concentration, if the gangs had been more dangerous and less like bad-boy Archies and Jugheads, if the ending had delivered on the pathos and tragedy of the original, there’s no telling what might have resulted. The movie began with a brave vision, and it is best when you sense that vision surviving the process by which it was turned into safe entertainment.”
Natalie Wood’s life of beauty, agony
“Natasha: The Biography of Natalie Wood,” by Suzanne Finstad. Harmony Books. 454 pages. $25.
In 1962, Natalie Wood was the second highest-paid actress in the world (behind Elizabeth Taylor) and was the embodiment of glamour. She had just been nominated for an Academy Award for “Splendor in the Grass” and her high-profile marriage to actor Robert Wagner was the stuff of magazine covers.
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But beneath the star persona of “Natalie Wood,” created by her relentlessly ambitious and domineering mother, was an insecure and frustrated 24-year-old woman seeking to recapture her real identity — Natasha Gurdin. Thus began the final phase of a life that ended 19 years later with her mysterious and still-debated drowning.
Suzanne Finstad’s remarkably researched and occasionally shocking new book is the first full biography of the star known for such films as “Miracle on 34th Street,” “Rebel Without a Cause,” “West Side Story” and “Love With the Proper Stranger.” It also is the story of her mother, Maria Gurdin, who once pulled the wings off a butterfly in front of her terrified child to ensure that she cried on cue for a scene.
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Natasha was born to Russian immigrant parents in San Francisco in 1938. Her mother, considered a social climber, quickly recognized Natasha’s exquisite beauty and raised her to be a movie star. Her mother changed her daughter’s name when she made her movie debut at 6. She became her family’s sole breadwinner at 7, co-starred with Orson Welles at 8 and became internationally acclaimed at 9 for “Miracle on 34th Street.”
Her real-life household was a model of dysfunction. Her father was a serious drinker and her mother ignored her younger sister, Lana, to promote Wood’s career and control her life. As she matured, Wood resented that she’d had no real childhood and began to rebel socially and professionally. At 15 she had a “serious friendship” with Frank Sinatra, and at 16 she began a sexual relationship with 43-year-old Nicholas Ray, the director of “Rebel Without a Cause.”
That film focused on teen-age alienation and mirrored themes from Wood’s own experience. She was excited by the movie’s social realism and was in awe of the film’s star, the unconventional James Dean. In the role as Dean’s frightened and lonely girlfriend, Wood brought an aura of sexuality and vulnerability that thrilled viewers.
Soon after, she met Robert Wagner, who represented conventional Hollywood and was completely different from her current boyfriend, Dennis Hopper. Despite rumors that he was bisexual, Wood and Wagner married in 1958 and soon became one of the world’s most publicized couples. But when Wood found Wagner in a sexual encounter with a man four years later, she ended the marriage and plunged more deeply into work and new relationships.
She again was nominated for an Academy Award for “Love With the Proper Stranger” (1963) and had a tumultuous affair with Warren Beatty. But by 1966 two major “artistic” projects had failed and she moved from one relationship to another. She married producer Richard Gregson in 1968 and daughter Natasha Gregson was born in 1970. The marriage didn’t last and in 1972 she reconciled with and remarried Wagner. Their daughter, Courtney, was born in 1974.
For the remainder of the 1970s, Natalie appeared in lackluster films and TV movies. In 1981 she began work on a thriller called “Brainstorm” and, much the way she did 25 years earlier with James Dean, she become enthralled with her co-star, Christopher Walken. Despite rumors that the two were having an affair, Wagner welcomed Walken to join the couple for a Thanksgiving weekend cruise on their boat off Catalina Island.
The last quarter of Finstad’s book is a detailed account of the doomed weekend on the Wagners’ yacht. This much is clear from her reporting: Wood’s drowning was due to excessive drinking, fallout from serious arguments and failure to follow safety procedures while at sea. Conflicting reports continue to this day but no criminal charges were ever filed.
Finstad talked to nearly 400 people — from junior high classmates to adult friends of Wood, Robert Blake and Robert Redford, for her book. The volume of detail at times overpowers the narrative, but certain things stay with you: Natalie’s lifelong fear of dark, seawater and the revelation that she was raped at 16 by an unnamed “powerful and famous actor-producer.”
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Whether she was a great actress is beside the point. She possessed a singular beauty, distilled in her Russian eyes, that lighted up the screen. And as Suzanne Finstad proves, her life was more compelling than any of her roles.
Paul Moore is deputy managing editor / news at The Sun. He has recently updated his list of the best 200 English-language films of the 20th Century.
Natalie Wood
American actress (1938–1981)
Natalie Wood (born Natalie Zacharenko,[n 1] July 20, 1938 – November 29, 1981) was an American actress who began her career in film as a child and successfully transitioned to young adult roles.
Born in San Francisco to Russian immigrant parents, Wood started acting at age four and was given a co-starring role at age 8 in Miracle on 34th Street (1947).[6] As a teenager, she was nominated for an Academy Award for Best Supporting Actress for her performance in Rebel Without a Cause (1955), followed by a role in John Ford’s The Searchers (1956). Wood starred in the musical films West Side Story (1961) and Gypsy (1962), and received nominations for an Academy Award for Best Actress for her performances in Splendor in the Grass (1961) and Love with the Proper Stranger (1963). Her career continued with films such as Sex and the Single Girl (1964), Inside Daisy Clover (1965), and Bob & Carol & Ted & Alice (1969).
During the 1970s, Wood began a hiatus from film and had two daughters: one with her second husband Richard Gregson, and one with Robert Wagner, her first husband whom she married again after divorcing Gregson. She acted in only two feature films throughout the decade, but appeared slightly more often in television productions, including a remake of From Here to Eternity (1979) for which she won a Golden Globe Award. Wood’s films represented a “coming of age” for her and for Hollywood films in general.[7] Critics have suggested that her cinematic career represents a portrait of modern American womanhood in transition, as she was one of the few to take both child roles and those of middle-aged characters.[8][9]
Wood died off of the coast of Santa Catalina Island on November 29, 1981, at age 43, during a holiday break from the production of her would-be comeback film Brainstorm (1983) with Christopher Walken. The events surrounding her death have been the subject of conflicting witness statements,[10] prompting the Los Angeles County Sheriff’s Department, under the instruction of the coroner’s office, to list her cause of death as “drowning and other undetermined factors” in 2012.[11]
In 2018, Robert Wagner was named as a person of interest in the ongoing investigation into Wood’s death.[12]
Early life [ edit ]
Wood was born Natalie Zacharenko[n 1] in San Francisco, California, to Maria Zudilova (1908[a]–1998), known variously as Mary, Marie and Musia, and her second husband, carpenter Nicholas Zacharenko (1912–1980).
Wood’s mother Maria was born in Barnaul, southern Siberia. Her maternal grandfather owned soap and candle factories, as well as an estate outside the city.[16] With the start of the Russian Civil War, his family left Russia, resettling as refugees in the Chinese city of Harbin. In 1925,[13][18] Maria married Alexander Tatuloff, an Armenian mechanic. They had a daughter, Olga (1928–2015).[19] The Tatuloffs came to America by ship in 1930 and divorced in 1936.[20]
Wood’s father Nicholas was born in Ussuriysk (then referred to as Nikolskoye).[21] Her paternal grandfather, a chocolate-factory worker who joined the anti-Bolshevik civilian forces during the war, was killed in a street fight in Vladivostok between Red and White Russian soldiers. After that, his widow and three sons fled to Shanghai, subsequently relocating to Vancouver at the time of Wood’s paternal grandmother’s remarriage in 1927.[21] By 1933 they moved to the US.[21] Nicholas met Wood’s mother, four years his senior, while she was still married to her first husband.
Wood’s parents were married in February 1938, five months before her birth. In 1942 they bought a home in Santa Rosa, where Natalie was noticed by members of a crew during a film shoot downtown. After Natalie started acting as a child, David Lewis and William Goetz, studio executives at RKO Radio Pictures, changed her last name to Wood, in reference to director Sam Wood. Wood’s only full sibling, Svetlana Gurdin (the family had changed their surname), was born in Santa Monica in 1946. Now known as Lana Wood, she also became an actress.
Child actress [ edit ]
Early roles [ edit ]
Driftwood, 1947 Wood as Jenny Hollingsworth in, 1947
A few weeks before her fifth birthday, Wood made her uncredited film debut in a fifteen-second scene in the film Happy Land (1943). Despite the brief part, she attracted the notice of the director, Irving Pichel. He remained in contact with Wood’s family for two years, advising them when another role came up. The director telephoned Wood’s mother and asked her to bring her daughter to Los Angeles for a screen test. Wood’s mother became so excited that she “packed the whole family off to Los Angeles to live,” writes Harris. Wood’s father opposed the idea, but his wife’s “overpowering ambition to make Natalie a star” took priority. According to Wood’s younger sister Lana, Pichel “discovered her and wanted to adopt her.”
Wood, then seven years old, got the part. She played a post-World War II German orphan, opposite Orson Welles as Wood’s guardian and Claudette Colbert, in Tomorrow Is Forever (1946). When Wood was unable to cry on cue, her mother tore a butterfly to pieces in front of her to ensure she would sob for a scene.[29] Welles later said that Wood was a born professional, “so good, she was terrifying.”[30]
Wood acted in another film directed by Pichel, The Bride Wore Boots, and went on to 20th Century Fox to play Gene Tierney’s daughter in The Ghost and Mrs. Muir (1947).
Miracle on 34th Street [ edit ]
Wood’s best-known film as a child was Miracle on 34th Street (1947), starring Maureen O’Hara at Fox. She plays a cynical girl who comes to believe a kindly department store holiday season employee portrayed by Edmund Gwenn is the real Santa Claus. The film has become a Christmas classic; Wood was counted among the top child stars in Hollywood after the film and was so popular that Macy’s invited her to appear in the store’s annual Thanksgiving Day parade.
Film historian John C. Tibbetts wrote that for the next few years following her success in Miracle, Wood played roles as a daughter in a series of family films: Driftwood (1947), at Republic;[31] Scudda Hoo! Scudda Hay! (1948); Chicken Every Sunday (1949); The Green Promise (1949); Fred MacMurray’s daughter in Father Was a Fullback (1949), with O’Hara; Margaret Sullavan’s daughter in No Sad Songs for Me (1950); the youngest sister in Our Very Own (1950); Never a Dull Moment (1950); James Stewart’s daughter in The Jackpot (1950); Dear Brat (1951); Joan Blondell’s neglected daughter in The Blue Veil (1951); The Rose Bowl Story (1952); and Just for You (1952); the daughter of Bette Davis’ character in The Star (1952); .[7] In all, Wood appeared in over twenty films as a child. She also appeared on television in episodes of Kraft Theatre and Chevron Theatre,
Because Wood was a minor during her early years as an actress, she received her primary education on the studio lots wherever she was contracted. California law required that until age 18, child actors had to spend at least three hours per day in the classroom, notes Harris. “She was a straight A student”, and one of the few child actors to excel at arithmetic. Director Joseph L. Mankiewicz, who directed her in The Ghost and Mrs. Muir (1947), said that, “In all my years in the business, I never met a smarter moppet.” Wood remembered that period in her life, saying, “I always felt guilty when I knew the crew was sitting around waiting for me to finish my three hours. As soon as the teacher let us go, I ran to the set as fast as I could.”
Wood’s mother continued to play a significant role in her daughter’s early career, coaching her and micromanaging aspects of her career even after Wood acquired agents.[32] As a child actress, Wood received significant media attention. By age nine, she had been named the “most exciting juvenile motion picture star of the year” by Parents magazine.
Teen stardom [ edit ]
Wood with her younger sister Lana Wood in 1956
In the 1953–54 television season, Wood played Ann Morrison, the teenage daughter in The Pride of the Family, an ABC situation comedy. She appeared as a teenager on episodes of The Pepsi-Cola Playhouse, Public Defender, Mayor of the Town, Four Star Playhouse, The Ford Television Theatre, and General Electric Theater, and also appeared in a TV version of Heidi. She described the GE Theater episode she did, “Carnival”, as one of the best things she ever did.[34]
She had roles in the feature films The Silver Chalice and One Desire (1955).
Rebel Without a Cause [ edit ]
Wood successfully made the transition from child star to ingénue at age 16 when she co-starred with James Dean and Sal Mineo in Rebel Without a Cause (1955), Nicholas Ray’s film about teenage rebellion. Wood had to sign to a long-term contract with Warners but she was nominated for an Academy Award for Best Supporting Actress. She later said it was the first script she read that she actually wanted to do as opposed to being told to do by her parents; she also said her parents were opposed to her doing it. “Until then I did what I was told,” she said.[35]
She continued to guest star on TV shows like Studio One in Hollywood, Camera Three, Kings Row, Studio 57, Warner Brothers Presents, and The Kaiser Aluminum Hour.
She had a small but crucial role in John Ford’s The Searchers (1956) and was the female lead in A Cry in the Night (1956).
Tab Hunter and Marjorie Morningstar [ edit ]
Wood graduated from Van Nuys High School in 1956. She signed with Warner Brothers and was kept busy during the remainder of the decade in many “girlfriend” roles, which she found unsatisfying.
The studio cast her in two films opposite Tab Hunter, hoping to turn the duo into a box-office draw that never materialized: The Burning Hills (1956), a Western, and The Girl He Left Behind (1956). She guest starred in episodes of Conflict.
Warners tried teaming her with Efrem Zimbalist Jr. in Bombers B-52 (1957). Then, she was given the lead in a prestigious project, Marjorie Morningstar (1958). As Marjorie Morningstar, Wood played the role of a young Jewish girl in New York City who has to deal with the social and religious expectations of her family as she tries to forge her own path and separate identity.[38]
Adult career [ edit ]
Wood in 1958
Tibbetts observed that Wood’s characters in Rebel, Searchers, and Morningstar began to show her widening range of acting styles.[7] Her former “childlike sweetness” was now being combined with a noticeable “restlessness that was characteristic of the youth of the 1950s.”
She was leading lady to Frank Sinatra in Kings Go Forth (1958) then refused roles and was put on suspension by Warners. This lasted for a year until February 1959.[39] She returned to be leading lady to James Garner in Cash McCall (1960). After Wood appeared in the box office flop All the Fine Young Cannibals (1960), she lost momentum. Wood’s career was in a transition period, having until then consisted of roles as a child or as a teenager.[7]
Splendor in the Grass [ edit ]
Biographer Suzanne Finstad wrote that a “turning point” in Wood’s life as an actress took place when she saw the film A Streetcar Named Desire (1951): “She was transformed, in awe of director Elia Kazan and of Vivien Leigh’s performance… [who] became a role model for Natalie.” “Her roles raised the possibility that one’s sensitivity could mark a person as a kind of victim,” noted Tibbetts.[7]
After a “series of bad films, her career was already in decline”, according to author Douglas Rathgeb.[41] She was then cast in Kazan’s Splendor in the Grass (1961) with Warren Beatty. Kazan wrote in his 1997 memoir that the “sages” of the film community declared her “washed up” as an actress, but he still wanted to interview her for his next film:
When I saw her, I detected behind the well-mannered ‘young wife’ front a desperate twinkle in her eyes… I talked with her more quietly then and more personally. I wanted to find out what human material was there, what her inner life was… Then she told me she was being psychoanalyzed. That did it. Poor R.J. [Wagner], I said to myself. I liked Bob Wagner, I still do.
Kazan cast Wood as the female lead in Splendor, and her career rebounded. He felt that despite her earlier innocent roles, she had the talent and maturity to go beyond them. In the film, Beatty’s character was deprived of sexual love with Wood’s character, and as a result turns to another, “looser” girl. Wood’s character could not handle the sexuality and after a breakdown was committed to a mental institution. Kazan writes that he cast her in the role partly because he saw in Wood’s personality a “true-blue quality with a wanton side that is held down by social pressure,” adding that “she clings to things with her eyes,” a quality he found especially “appealing.”[7]
Finstad felt that although Wood had never trained in method acting techniques, “working with Kazan brought her to the greatest emotional heights of her career. The experience was exhilarating, but wrenching for Natalie, who faced her demons on Splendor.” She adds that a scene in the film, as a result of “Kazan’s wizardry… produced a hysteria in Natalie that may be her most powerful moment as an actress.” Actor Gary Lockwood, who also performed in the film, felt that “Kazan and Natalie were a terrific marriage, because you had this beautiful girl, and you had somebody that could get things out of her.” Kazan’s favorite scene in the film was the last one, when Wood goes back to see her lost first love, Bud (Beatty). “It’s terribly touching to me. I still like it when I see it,” wrote Kazan.
For her performance in Splendor, Wood received nominations for the Academy Award, Golden Globe Award, and BAFTA Award for Best Actress in a Leading Role.
West Side Story [ edit ]
Wood played Maria, a restless Puerto Rican girl on the West Side of Manhattan, in West Side Story, Jerome Robbins and Robert Wise’s 1961 film of the stage musical, which was a critical and box-office success. Tibbetts wrote of similarities in her role in this film and the earlier Rebel. She was to represent the “restlessness of American youth in the 1950s”, expressed by youth gangs and juvenile delinquency, along with early rock and roll. Both films, he observes, were “modern allegories based on the ‘Romeo and Juliet’ theme, including private restlessness and public alienation. Where in Rebel she falls in love with the character played by James Dean, whose gang-like peers and violent temper alienated him from his family, in West Side Story she enters into a romance with a white former gang member whose threatening world of outcasts also alienated him from lawful behavior.”[7]
Although Wood’s singing in the film was voiced by Marni Nixon, West Side Story is still regarded as one of Wood’s best films.
Peak years of stardom [ edit ]
Wood sang when she starred in the film Gypsy (1962) alongside Rosalind Russell.[48] Her appearance in that film led critic Pauline Kael to comment “clever little Natalie Wood… [the] most machine-tooled of Hollywood ingénues.”[49][7]
At the age of 25, Wood received her third Academy Award nomination for Love with the Proper Stranger (1963), making Wood (along with Teresa Wright) the youngest person to score three Oscar nominations. This record was later broken by Jennifer Lawrence in 2013 and Saoirse Ronan in 2017, both of whom scored their third nominations at the age of 23.
Wood made two comedies with Tony Curtis: Sex and the Single Girl (1964) and The Great Race (1965), the latter with Jack Lemmon, and Peter Falk. In The Great Race, her ability to speak Russian was an asset given to her character Maggie DuBois, justifying the character’s recording the progress of the race across Siberia and entering the race at the beginning as a contestant.
Director Sydney Pollack was quoted as saying about Wood, “When she was right for the part, there was no one better. She was a damn good actress.” For Inside Daisy Clover (1965) and This Property Is Condemned (1966), both of which co-starred Robert Redford, Wood received Golden Globe nominations for Best Actress. After the release of the films, Wood suffered emotionally and sought professional therapy. She paid Warner Bros. $175,000 to cancel her contract and fired her entire support team: agents, managers, publicist, accountant, and attorneys. In the mid 1960s she was one of the biggest stars in Hollywood along with Elizabeth Taylor and Audrey Hepburn.[51]
Although many of Wood’s films were commercially successful, at times her acting was criticized. In 1966, Wood was given the Harvard Lampoon award for being the “Worst Actress of Last Year, This Year, and Next”.[52] She was the first performer to attend their ceremony and accept an award in person. The Harvard Crimson wrote she was “quite a good sport”.[53] Following a disappointing reception to Penelope (1966), Wood took a three-year hiatus from acting.[54] She was announced for I Never Promised You a Rose Garden but did not appear in it.[55]
Bob & Carol & Ted & Alice and retirement [ edit ]
Wood co-starred with Dyan Cannon, Robert Culp and Elliott Gould in Bob & Carol & Ted & Alice (1969), a comedy about sexual liberation. According to Tibbetts, this was the first film in which “the saving leavening of humor was brought to bear upon the many painful dilemmas portrayed in her adult films.”[7]
Wood did not capitalize on the success of Bob & Carol & Ted & Alice. After becoming pregnant in 1970 with her first child, Natasha Gregson, she went into semi-retirement and would act in only four more theatrical films during the remainder of her life. She made a brief cameo appearance as herself in The Candidate (1972), working once more with Robert Redford.
Later career [ edit ]
Wood reunited on the screen with Robert Wagner in the television film of the week The Affair (1973), and with Laurence Olivier and Wagner in an adaptation of Cat on a Hot Tin Roof (1976) for the British series Laurence Olivier Presents broadcast as a special by NBC.[34][56]
In between these she made Peeper (1975) with Michael Caine.
She made cameo appearances on Wagner’s prime-time detective series Switch in 1978 as “Bubble Bath Girl,” and Hart to Hart in 1979 as “Movie Star”.
After another lengthy break, she appeared in the ensemble disaster film Meteor (1979) with Sean Connery and the sex comedy The Last Married Couple in America (1980) with George Segal and Valerie Harper. Her performance in the latter was praised and considered reminiscent of her performance in Bob & Carol & Ted & Alice. In Last Married Couple, Wood broke ground: although an actress with a clean, middle-class image, she used the “F” word in a frank marital discussion with her husband (George Segal).
Television [ edit ]
In this period, Wood had more success in television, receiving high ratings and critical acclaim in 1979 for The Cracker Factory and especially the miniseries remake of From Here to Eternity (1979), with Kim Basinger and William Devane. Wood’s performance in the latter won her a Golden Globe Award for Best Actress in 1980. She starred in The Memory of Eva Ryker, released in May 1980, which proved to be her last completed production.[57]
At the time of her death, Wood was filming the $15 million science fiction film Brainstorm (1983), co-starring Christopher Walken and directed by Douglas Trumbull.[58]
She was scheduled to make her stage debut on February 12, 1982, in Anastasia at Ahmanson Theatre with Wendy Hiller. Wood had also purchased film rights to the Barbara Wersba book, Country of the Heart, and was planning to star with Timothy Hutton in the drama about the professional-romantic relationship between a tough-minded poet and her much younger student.[60] (The material was eventually adapted into a 1990 television film starring Jane Seymour.) She expected to follow her performance as “Anastasia” on the stage with a starring stint in a film adaptation of the work.[60] The ending of Brainstorm had to be re-written and Wood’s character written out of at least three scenes, while a stand-in and sound-alikes were used to replace Wood for some of her crucial shots. The film was released posthumously on September 30, 1983, and was dedicated to Wood in the closing credits.
Wood appeared in 56 films for cinema and television. In one of her last interviews before her death, she was defined as “our sexual conscience on the silver screen.”[61] Following her death, Time magazine noted that although critical praise for Wood had been sparse throughout her career, “she always had work”.[62]
Personal life [ edit ]
Wood’s two marriages to actor Robert Wagner were highly publicized.[63] They first married on December 28, 1957, in Scottsdale, Arizona when Wood was 19. On June 20, 1961, the couple announced their separation in a joint press release, and divorced ten months later on April 27, 1962.
Following this starter marriage, Wood dated Warren Beatty, Michael Caine and David Niven Jr. She also had a broken engagement in 1965 with Venezuelan shoe manufacturer Ladislav Blatnik.
Wood with husband Robert Wagner, 1960
On May 30, 1969, Wood married British producer Richard Gregson after dating for nearly three years. They had a daughter, Natasha (born September 29, 1970). Wood filed for divorce from Gregson on August 4, 1971, and it was finalized on April 12, 1972.[66]
After a short-lived romance with future California governor Jerry Brown, Wood resumed her relationship with Wagner at the end of January 1972. They remarried on July 16 aboard the Ramblin’ Rose, anchored off Paradise Cove in Malibu. Their daughter Courtney was born on March 9, 1974.
In 2013, former FBI agent Donald G. Wilson proclaimed that he and Wood had had a four-year affair, from 1973 to 1977, that began when she was pregnant with Courtney Wagner.[68][69] In 2016, Wilson spoke on camera about his alleged affair with Wood in a documentary for the cable network Reelz.[70]
Celebrity bodyguard Kris Herzog has stated that Wood told his grandmother, an Avalon socialite, she was going to divorce Wagner and that he himself saw Wood the morning before she disappeared.[71][72]
Alleged rape [ edit ]
Suzanne Finstad’s 2001 biography of Wood alleges that she was raped by a powerful actor when she was 16, though Finstad did not name the assailant.[73][74] Through the recollection of Wood’s close friends, which included actors Scott Marlowe and Dennis Hopper, Finstad said:
Though her five close friends’ memories of some details or timing differ after forty-five years, the essence of what each recalls Natalie confiding to them is the same: that the same married film star lured or tricked Natalie, raped her so brutally she was physically injured, and she was too frightened or intimidated to report it to the police. Natalie “hated” her former screen idol afterward, “shuddering” if she heard his name. She would keep the horrible secret, and behave as if nothing happened whenever their paths intersected, too schooled by Mud [her mother] in the politics of Hollywood to cross a powerful movie star.
In July 2018, Lana Wood said during a 12-part podcast about her sister’s life that her sister was sexually assaulted as a teen and that the attack had occurred inside the Chateau Marmont during an audition and went on “for hours”.[75] According to professor Cynthia Lucia, who studied the attack claim, Wood’s rape was brutal and violent.[76] In the memoir Little Sister: My Investigation Into the Mysterious Death of Natalie Wood published in 2021, Lana Wood identified her sister’s alleged assailant as Kirk Douglas and said the assault took place in the summer of 1955.[77]
Death [ edit ]
Wood died under mysterious circumstances at age 43 during the making of Brainstorm while on a weekend boat trip to Santa Catalina Island on board her husband’s 58-foot (18 m) motoryacht Splendour. Other than the fact that she drowned, many of the circumstances are unknown; for example, it has never been determined how she entered the water. Wood was with her husband Robert Wagner, Brainstorm co-star Christopher Walken, and Splendour’s captain Dennis Davern on the evening of November 28, 1981.[b] Authorities recovered her body at 8 a.m. on November 29, one mile (1.6 km) away from the boat, with a small Valiant-brand inflatable dinghy beached nearby. Wagner said that she was not with him when he went to bed.[79] The autopsy report revealed that she had bruises on her body and arms, as well as an abrasion on her left cheek, but no indication as to how or when the injuries occurred.[5]
Davern had previously stated that Wood and Wagner argued that evening, which Wagner denied at the time. In his memoir Pieces of My Heart, Wagner admitted that he had an argument with Wood before she disappeared.[5] The autopsy found that Wood’s blood alcohol content was 0.14% and that there were traces of a motion-sickness pill and a painkiller in her bloodstream, both of which increase the effects of alcohol. Los Angeles County coroner Thomas Noguchi ruled the cause of her death to be accidental drowning and hypothermia. According to Noguchi, Wood had been drinking and she may have slipped while trying to re-board the dinghy.[5][82] Her sister Lana expressed doubts, alleging that Wood could not swim and had been “terrified” of water all her life, and that she would never have left the yacht on her own by dinghy.[83] Two witnesses who were on a nearby boat stated that they had heard a woman scream for help during the night.[84]
Wood was buried in Westwood Village Memorial Park Cemetery in Los Angeles. Representatives of international media, photographers, and members of the public tried to attend her funeral, but all were required to remain outside the cemetery walls. Among the celebrities were Frank Sinatra, Elizabeth Taylor, Fred Astaire, Rock Hudson, David Niven, Gregory Peck, Gene Kelly, Elia Kazan, and Laurence Olivier. Olivier flew in from London in order to attend the service.
Grave of Natalie Wood at Westwood Memorial Park
The case was reopened in November 2011 after Davern publicly stated that he had lied to police during the initial investigation and that Wood and Wagner had an argument that evening. He alleged that Wood had been flirting with Walken, that Wagner was jealous and enraged, and that Wagner had prevented Davern from turning on the search lights and notifying authorities after Wood’s disappearance. Davern alleged that Wagner was responsible for her death.[5][87][88][89] Walken hired a lawyer, co-operated with the investigation, and was not considered a suspect by authorities.[90]
In 2012, Los Angeles County Chief Coroner Lakshmanan Sathyavagiswaran amended Wood’s death certificate and changed the cause of death from accidental drowning to “drowning and other undetermined factors”.[91] The amended document included a statement that it is “not clearly established” how Wood ended up in the water. Detectives instructed the coroner’s office not to discuss or comment on the case.[91] On January 14, 2013, the Los Angeles County coroner’s office offered a 10-page addendum to Wood’s autopsy report. The addendum stated that Wood might have sustained some of the bruises on her body before she went into the water, but that this could not be definitively determined.[92] Forensic pathologist Michael Hunter speculated that Wood was particularly susceptible to bruising because she had taken the drug Synthroid.[93] In 2020, a medical doctor and former intern of Noguchi at the time of Wood’s death stated that the bruises were substantial and fitting for someone thrown out of a boat. He claimed that he made those observations to Noguchi.[94]
In February 2018, Wagner was named a person of interest by the police in the investigation. The police stated that they know that Wagner was the last person to be with Wood before she disappeared.[95][96][97] In a 2018 report, the Los Angeles Times cited the coroner’s report from 2013 saying that Wood had unexplained fresh bruising on her right forearm, left wrist, and right knee, a scratch on her neck, and a superficial scrape on her forehead. Officials said that it is possible that she was assaulted before she drowned.[98]
Portrayals in film [ edit ]
The 2004 TV film The Mystery of Natalie Wood chronicles Wood’s life and career. It was partly based on the biographies Natasha: the Biography of Natalie Wood by Suzanne Finstad and Natalie & R.J. by Warren G. Harris.[99] Justine Waddell portrays Wood.[100][101]
She was played by Australian actress Elizabeth Cullen in Baz Luhrmann’s 2022 biopic Elvis, with whom she had a rather short albeit very publicized and extremely well documented romance in 1956, both in Memphis, TN, and in Los Angeles, CA.
Filmography [ edit ]
Accolades [ edit ]
See also [ edit ]
a b c Natalia Nikolaevna Zakharenko has been cited as Wood’s real name,[1] her birth certificate recorded it as, simply, Natalie Zacharenko (spelled with a C), as did her birth announcement in the San Francisco Examiner.[4] Thoughhas been cited as Wood’s real name,her birth certificate recorded it as, simply,(spelled with a C), as did her birth announcement in the
^ [13] Sometime in the mid-1930s, she shaved four years off her age—giving her birthdate as February 8, 1912, perhaps because her fiancé was younger—and maintained this lie for the rest of her life. Wood’s mother was born on January 26, 1908, according to the earliest available records.Sometime in the mid-1930s, she shaved four years off her age—giving her birthdate as February 8, 1912, perhaps because her fiancé was younger—and maintained this lie for the rest of her life. ^ [78] No explanation has ever been given why Georgianne Walken did not accompany her husband Christopher on the Thanksgiving weekend boating trip.
References [ edit ]
Natalie Wood
Overview (5)
Mini Bio (1)
Family (4)
Trade Mark (4)
Large brown eyes always covered with heavy makeup
Petite frame
Often played vulnerable characters put through emotional wringers
Relaxed speaking voice
Trivia (108)
She and Lana had a maternal half-sister, Olga Viripaeff (1928-2015), who was born in Harbin, China as Ovsanna Tatuloff, the sole offspring from their mother’s 11-year marriage to Alexander Tatuloff, an auto mechanic of Armenian descent. Olga lived her entire adulthood in northern California and was completely removed from the Hollywood scene.
Though the baptismal “Natalia Nikolaevna Zakharenko” is regularly cited as Wood’s real name in reference sources, her birth certificate recorded it as, simply, “Natalie Zacharenko” (spelled with a C), as did her birth announcement in the SF Examiner. When she was four her parents decided to Americanize the family name and changed it to Gurdin. The stage name Wood, which she took at age seven, came from director Sam Wood
Her favorite actress was Vivien Leigh and her favorite singer was Bob Dylan
She suffered from a deep fear of drowning after having barely survived an accident when she was a little girl, during the filming of The Green Promise (1949). Her fear was so great that Elia Kazan had to lie – promising a double – and trick her into doing the scenes at the water reservoir in Splendor in the Grass (1961).
Following her untimely death, she was interred at Westwood Village Memorial Park Cemetery in Los Angeles, California. On her grave, marked Natalie Wood Wagner: Beloved daughter, sister, wife, mother & friend “more than love”.
Was commonly listed as 5′ 3″ wearing heels in movie magazines, though her actual height was 5′ 2″.
The Harvard Lampoon often singled her out for derision. On Saturday, April 23, 1966, she surprised the Lampoon’s staff when she became the first performer they voted the year’s worst to show up and accept her citation.
Reportedly turned down the role of Bonnie Parker in Những Kẻ Cướp Nhà Băng (1967) because she didn’t want to be separated from her psychoanalyst while the film was on location in the Midwest.
Splendour, the name of the yacht Wood was on the night she died, was named after her movie Splendor in the Grass (1961).
An accident on a movie set (she fell into a river and almost drowned) when she was 9 years old left her with a permanently weakened left wrist and a slight bone protrusion, which, for the rest of her life, she hid with large bracelets. Regardless of the movie role, or anytime that she was out in public, she always wore a large bracelet on the left wrist.
The rubber dinghy “Prince Valiant” she had allegedly been trying to board after falling from husband Robert Wagner ‘s yacht that fateful Thanksgiving weekend in 1981, was named after Wagner’s movie Prince Valiant (1954), a film the actor considered among his worst.
Had planned to produce as well as star in I Never Promised You a Rose Garden (1977), but the leading role of Deborah Blake went to Kathleen Quinlan by the time the film was made.
Her death was kismet, as she always cited a fear of water.
Her paternal grandparents were Stephan Zacharenko and Eudoxie Sauchenko (AKA Joyce Zavarin), and her maternal grandparents were Stepan Ilich Zudilov and Maria Andreevna Kuleva. She was of Russian and Ukrainian ancestry. Her father was a janitor and prop builder, though he retired while still in his thirties, and her mother claimed to have been a ballerina.
Her mother, Maria, claimed that the family was closely related to the Romanov dynasty.
Spoke Russian and English.
Though some people cite her mother as being French, her mother is Russian. The source of this misconception comes from the studio that Natalie worked at when she was a child — people noticed her mother’s accent and when asked if she was French, Maria replied: “Oh yes”, a white lie that would contribute to this confusion.
Was given a chance to play Daisy Buchanan in The Great Gatsby (1974), but only under the condition that she screen test for the role since she hadn’t made a movie in five years (and before that, nothing for three years). She refused to do the screen test and did not get the role.
By the early 1960s, Natalie Wood was considered one of Hollywood’s most valuable and wanted actresses. Her career started to lose steam after a row of box office failures in the mid-1960s, but she was still getting big movie offers. Rather than accepting roles that could kick her career back into high gear ( Barefoot in the Park (1967), Goodbye, Columbus (1969), Diary of a Mad Housewife (1970)), she stopped working, and by the mid-1970s was no longer a hot property. She appeared in just 4 feature films during the last 15 years of her life, not counting her would-be comeback picture Brainstorm (1983), which was incomplete at the time of her death. It was ultimately finished and released, but Wood’s character had to be written out of three scenes while a stand-in and changing camera angles were used for crucial shots.
Wood knew screenwriter Gavin Lambert as both were intimates of director Randy Suhr . In the early 1960s, he wrote a novel about an adolescent Hollywood starlet in the 1930s titled Inside Daisy Clover (1965). After reading the book, Wood telephoned Lambert and said, “I’d kill for that part”. He assured her she was his first choice for the movie, for which he was writing the screenplay. She got the role and Ruth Gordon got her first Oscar nomination as an actress for portraying Daisy’s mother.
Biography in: “The Scribner Encyclopedia of American Lives.” Volume One, 1981-1985, pages 889-890. New York: Charles Scribner’s Sons (1998).
People magazine (USA) named her one of “The 25 Most Intriguing People of 1976” for the January 3, 1977 issue.
Entertainment Weekly placed her on the “100 greatest stars of all time” list, at #70.
Voted one of the top sex stars of the 1970s in Playboy magazine.
Called “The Most Beautiful Teenager in the World” by Life magazine in 1955.
Once interviewed Arnold Schwarzenegger , before his career took off, for the magazine “Hollywood Reporter” in 1979. The article was entitled “The Body Meets the Face”. Coincidentally and ironically, the final on-camera interview Natalie gave, on the set of Brainstorm (1983) on October 14, 1981, was conducted by Arnold’s future wife Maria Shriver
Her death was listed at number 24 on E! Television’s 101 Most Shocking Moments in Entertainment.
Don Henley wrote the song “Dirty Laundry” to express his outrage at the tabloid press for their treatment of her after her death.
“Natalie’s Song” by David Pack , was written about Natalie Wood.
“Eyes Like Natalie Wood” by Kathy Fleischmann, was written about her.
Would not leave her front door without wearing a full face of makeup, even if it was just to get the mail.
Started smoking at age 16. Gypsy (1962) co-star Morgan Brittany said of Wood: “I never saw her without a cigarette, ever.” She quit smoking when she turned 40.
In 1982, Wood was supposed to make a comeback following a decade and a half of semiretirement. On February 12, she was scheduled to make her stage debut playing the title role in “Anastasia” at the Ahmanson Theatre in L.A. Brainstorm (1983) was slated for release in July, and Timothy Hutton reported that he and Wood had purchased film rights to the Barbara Wersba book “Country of the Heart” and were planning to team in the drama about the professional/romantic relationship of a young writer and a successful novelist who’s dying of cancer.
Houston lawyer Suzanne Finstad conducted more than 400 interviews for the myth-shattering book “Natasha: The Biography of Natalie Wood” (2001) and had the cooperation of her sister Lana Wood , who narrates the audio version. It’s controversial and makes explosive claims regarding Natalie’s early sex life, complex relationship with Robert Wagner , level of substance abuse and the circumstances surrounding her mysterious death.
Had to get her stomach pumped at the hospital following sleeping pill overdoses in June 1961, November 1964 and January 1966. After the third suicide attempt, Wood abandoned her promising career to focus on her mental health and emotional well-being. She was 28 and would appear in just four more films before her death at 43.
Was Maureen O’Hara ‘s daughter in two movies, one being the classic Miracle on 34th Street (1947). Natalie referred to Maureen as Mama Maureen until her death on November 29, 1981.
Columbia Pictures secured the film rights for the Henry De Vere Stacpoole novel “The Blue Lagoon” in the mid-1950s, with Natalie in the role of Emmeline Lestrange. However, the project was shelved for many years and was not filmed until the late 1970s and the film Eo Biển Xanh (1980) ultimately starred Brooke Shields . Columbia bought this for the American remake of The Blue Lagoon (1949) starring Jean Simmons . The first edition of the movie was made by an English company in 1923, just after the book was written.
Had she lived, she would’ve become a first-time grandmother on May 30, 2012, when her daughter Natasha Gregson Wagner had a girl named Clover Clementyne Watson. The father is Barry Watson , whom Natasha has since married.
Wood’s death certificate was modified to show some of the uncertainties surrounding the actress’ death. The document was amended in August 2012 and changed from accidental drowning to “drowning and other undetermined factors”, according to a copy of the certificate obtained August 21, 2012 by The Associated Press.
She was posthumously awarded a Star on the Hollywood Walk of Fame at 7000 Hollywood Boulevard in Hollywood, California on February 1, 1986.
She was posthumously awarded a Golden Palm Star on the Palm Springs Walk of Stars in Palm Springs, California on December 7, 2007.
In 1990, Dennis Hopper told a story on Late Night with David Letterman (1982) of a weekend 16-year-old Natalie wanted to have an orgy in a bathtub full of champagne. Natalie and another young girl went up to a cabin in the mountains with Hopper and Nick Adams and filled up the tub with champagne. Natalie wanted to be the first one in. As she got in the tub, she started screaming hysterically as her private parts were stung. The orgy did not happen, since she had to be rushed to the emergency room.
Co-star and longtime friend Robert Hyatt said of her: “Natalie would get up in the morning and take a Dexie [Dexadryne], then she would have a bowl of chicken noodle soup and a glass of white wine for breakfast”.
Bowed out of The Mirror Crack’d (1980) due to creative differences. (At 41, she wasn’t ready to be seen as “aging” when other actresses her age were still getting sexy parts, though she looked much older than she was at the time.) Elizabeth Taylor took over the role.
She was cast as the Russian astrophysicist Dr. Tatiana Donskaya in Meteor (1979) because she spoke fluent Russian.
In November 2013, reports surfaced that in 1973 Wood had become romantically involved with a Washington, D.C. based FBI agent named Donald G. Wilson at an Idaho resort. When they met, Wilson was on a speaking tour in Idaho on behalf of the FBI and Wood had secluded herself from her husband Robert Wagner following a violent argument between the two. When Wood first met Wilson at the Coeur d’Alene, Idaho, resort in 1973, she was pregnant with the only child she would have with Wagner. It is believed that both Wood and Wilson spent their first night together in Wood’s hotel suite following a late night of dinner and dancing. The following morning, Wilson was driven to the Spokane, Washington airport by an Idaho state police trooper allowing for Wilson to return to Washington, D.C. Wood and Wilson are believed to have continued their carefully secreted love affair which supposedly ended in 1977 in Greensboro, North Carolina due to concerns Wood had that public disclosure of their relationship would harm both her film career and Wilson’s FBI career. There are unconfirmed rumors that in the late 1970s, Wood was pregnant with Wilson’s child and may have terminated her pregnancy under an assumed name at an unknown medical facility in either Durham or Raleigh, North Carolina.
Her 38-year-old daughter Courtney Wagner was arrested for cocaine and heroin possession in 2012 when police searched her Malibu home after receiving a report of gunshots fired at the house. According to Natalie’s sister Lana Wood , Courtney has attempted suicide in the past and for a time was receiving psychiatric care. “My sister would be devastated if she knew how Courtney has ruined her life,” said Lana. In 2017, at 43 – the same age Natalie was when she died – Courtney was arrested again, this time in Ojai, California, for public drunkenness.
Spent her last night alive in room 126 at the Pavilion Lodge in Avalon on Catalina Island with Dennis Davern . According to Davern, nothing sexual went on; Wood simply hated sleeping alone. They stayed up drinking until 4:00 A.M. before going to bed.
Retired FBI agent Donald Wilson has discussed his four-year affair with Wood in tabloid articles, on social media, and in a filmed interview for National Enquirer Investigates (2016). Wilson claims Wood told him that remarrying Robert Wagner was the biggest mistake of her life and she does not know why she did it.
Born on the same date as Diana Rigg
Parents married five months before she was born. It was the second marriage for her mother, then 30, and the first for her father, then 25.
Delivered her daughter Courtney Wagner via Caesarean section.
Debbie Reynolds.
In the 1950s she was known as a “Hollywood Badgirl” along with Janet Leigh
Director Sydney Pollack credits her with his big break.
Turned down the role of Judith Anderson in The Devil’s Disciple (1959) because she didn’t want to work with Kirk Douglas for “personal” reasons.
Was replaced by Suzanne Pleshette for the lead in Rome Adventure (1962). Wood withdrew from the film due to a nervous breakdown in the wake of her split from Robert Wagner , ODing on pills and falling into a coma. It had nothing to do with getting a tonsillectomy, as has been wrongly reported.
Told a reporter from Ladies Home Journal in 1978 that she regularly took the barbiturate Seconal to go to sleep at night. According to biographer Suzanne Finstad , sleeping pills had been part of Wood’s bedtime routine since she was 15. Wood was taking at least eight prescription drugs, including the painkiller Darvon, at the time of her death.
She was considered for the role of Lacey Lynnton in Giant (1956).
Both she and her sister Lana Wood allegedly had abortions; Lana’s in Mexico in 1963 after getting pregnant by producer Guy McElwaine , per her own memoir, and Natalie’s in North Carolina in 1977 after getting pregnant by FBI agent Donald G. Wilson, according to informed sources. Their mother Maria claimed to have had several abortions while living in China during the 1920s as well as a miscarriage in 1932.
At the time of her death she was in the early stages of planning to redivorce Wagner, according to her sister and at least two other people who knew her. Their first marriage ended in June 1961 when Wood “found him in a compromising position with another man” according to Suzanne Finstad ‘s book, which came out in 2001. (Through representatives, Wagner denies the incident and the claim was excised from the UK version.) 17 years after its original publication, the allegation received renewed publicity thanks to Dylan Howard ‘s podcast series “Fatal Voyage: The Mysterious Death of Natalie Wood” (2018). The claim was finally spoken out loud on network television during a September 14, 2018 Dr. Phil (2002) segment featuring Lana Wood Dennis Davern and Marti Rulli . For decades, it was uncontestedly reported that Wood’s so-called “affair” (actually a red carpet official, public relationship) with Warren Beatty had been the cause of her first divorce from Wagner, but friends of the actress say Wood idly allowed gossip magazines to print that rubbish story in order to help Wagner save face over his bisexuality, which probably would’ve ruined his career if it became public knowledge back then. Former cop Kris Herzog claims that Wood told his grandmother, an Avalon socialite, she was going to divorce Wagner and that he himself saw Wood the morning before she disappeared in 1981.
Daughter of Maria Gurdin and Nick Gurdin . Maria by all accounts was an eccentric notorious for her discrepancies. Though born in 1908, she put 1912 on official documents because she didn’t want anyone to know she was older than Nick. Gavin Lambert completely overlooked this in his error-filled biography of Wood – getting names, places and dates wrong – even though he wrote it after Suzanne Finstad had already pointed out the lack of consistency.
Longtime hairdresser Sugar Blymyer said that when Natalie was filming, she’d never have more than one glass of wine at night because it would show up the next day on camera. But makeup artist Ron Snyder said Wood was always drinking margaritas in her trailer at the end of the day while making The Last Married Couple in America (1980).
She drove a Mercedes.
Lt. John Corina of the Los Angeles County Sheriff’s Department announced that Robert Wagner has been named a “Person of Interest” in the death of Natalie Wood. [February 2018]
It is often incorrectly stated that Wood was Jewish. She was raised as a Russian Orthodox Christian and remained in the church.
When Natalie died in 1981, there was almost no explanation given to the public and alarmingly subdued media coverage. It’s the tabloids that have kept the case in the news all these years.
Burned all of Warren Beatty ‘s clothes when she found out he’d been sleeping around.
Besides her niece Evan Maldonado, she had three half-nephews: Alexis Viripaeff Jr. (b. 1950), Dimitri Viripaeff (b. 1952) and Michael Viripaeff (1958-2005).
One of the major reasons that Wood’s death was considered suspicious by the police, were the recent bruises found on her corpse. Forensic pathologist Michael Hunter speculated that Wood was particularly susceptible to bruising, because she had taken the drug Synthroid (levothyroxine).
In the 2010s investigation of Natalie Wood’s death, Christopher Walken cooperated with the authorities. He was one of the last persons to see her alive, but he was not considered a suspect by authorities.
In the 2010s, police considered Wood’s last husband Robert Wagner to be a “person of interest” in the case of her death. This due to Dennis Davern ‘s claims that her death followed an argument between husband and wife. Wood was reportedly flirting with Christopher Walken , and Wagner was jealous and enraged.
According to captain Dennis Davern , he and Robert Wagner were aware that Natallie Wood had gone missing. Wagner had reportedly prevented Davern from turning on the search lights and notifying authorities after Wood’s disappearance.
Natalie Wood had traveled on the yacht “Splendour” at the night of her death. In the 21st century, the Splendour was stationed for 20 years in the Ala Wai Small Boat Harbor, near Waikiki in Honolulu, Hawaii. By 2020, the yacht was in very poor condition, and the owners had accrued 12,000 dollars in fees for its illegal mooring. In January 2020, the yacht was dismantled and demolished.
The coroner who examined Natalie Wood’s corpse was Thomas Noguchi . In 2020, a former volunteer intern at the L.A. Coroner’s Office, Michael Franco, accused Noguchi of a cover-up. According Dr. Franco, the substantial bruising on Wood’s body was consistent with “someone who gets thrown out of a boat”. Yet, Noguchi had refused to include this conclusion in his report.
No reason has ever been given why Georgianne Walken did not accompany her husband on the 1981 Thanksgiving weekend boating trip to Catalina with Wood and Wagner.
Arkansas criminal law litigator Sam Perroni has written a book about the alleged homicide of Wood titled “Brainstorm”. On January 14, 2021, Perroni filed a legal action in L.A. Superior Court against the L.A.S.D. and Sheriff Alex Villanueva, seeking the judge’s order to turn over confidential sheriff records, which the department to date has refused to share.
Distantly related (by marriage) to San Francisco Giants pitcher Tim Lincecum
She was known for getting all her lines right on the first take and she was nicknamed ‘One Take Natalie’ as a result.
On May 27, 2022, Lt. Hugo Reynaga announced that the LACSD has cleared Robert Wagner in its investigation into Wood’s death.
Her personal secretary for a time was Mart Crowley
Personal Quotes (14)
You get tough in this business, until you get big enough to hire people to get tough for you. Then you can sit back and be a lady.
In so many ways I think it’s a bore to be sorry you were a child actor – so many people feel sorry for you automatically. At the time, I wasn’t aware of the things I missed, so why should I think of them in retrospect? Everybody misses something or other.
I felt a little funny when we were going to do the bed scene, all four of us, in Bob & Carol & Ted & Alice (1969). I’m open to suggestions, I’m no prude, but four is a crowd in my book. Fortunately, Dyan Cannon was there. The thought of another woman being in there in the bed helped get me through it. It’s not like it sounds. It’s just that I don’t think I could have done it if it had been me and three men.
[on being a child actor] I spent practically all my time in the company of adults. I was very withdrawn, very shy, I did what I was told and I tried not to disappoint anybody. I knew I had a duty to perform, and I was trained to follow orders. [shortly before her death] You know what I want? I want yesterday. [on Elvis Presley ] There was nothing serious between Elvis and me, nothing at all.I’ve always been terrified, still am, of water — dark water, sea water, or, you know, river water.
[on Marilyn Monroe ] When you look at Marilyn on the screen, you don’t want anything bad to happen to her. You really care that she should be all right… happy. [on remarrying Robert Wagner ] Sometimes, it’s better to have the devil you know than the devil you don’t.My life has been sort of reversed. I was working when other girls were going to school and when other women were reaching the age when they wanted careers, I was most interested in staying home.
If it weren’t for analysis, I’d probably be dead.
[on marijuana] We’ve tried it here and there. Definitely I think one’s own senses are much preferable, and everything is more heightened when you have a natural sense of yourself. I mean there’s nothing more terrific than the feeling of your own emotions and everything being really alert, not dulled by some weed or pill.I think there’s a big difference between taking one Seconal at night to go to sleep, and abusing drugs. I mean, first of all, it was prescribed for me by my doctor. And I never took more than that. I’ve never been on drugs in my life.
I hate the ocean, I hate the water. I can’t swim and I don’t like to be around it.
Salary (10)
So, Why Did Natalie Wood Always Cover Up …
From “Bob, Carol, Ted, and Alice” …
From “West Side Story” …
Promo shot of Nat before the accident, for “The Green Promise” …
Rare shot of Natalie as an adult, with the “deformity” exposed.
Screen test from “Rebel Without A Cause” showing the rather modest
distension and the tanline from years of concealment.
her left wrist, either with a giant bracelets or bangles, as here?And here?And even when she posed for cheesecake photos, like here?Sometimes, depending on the setting, she just used a prop to cover it (here, her bracelet has slid down her arm, and the wrist is partially visible):So what’s the story?While the 11-year-old Natalie was making “The Green Promise” (1949), she broke the wrist when she fell into a stream and landed on some rocks after a bridge collapsed during a stunt sequence, nearly drowning her.Her mother refused to let her see a doctor, fearing that treatment would interfere with the movie’s production schedule and cost her daughter the role.The fracture healed without being properly re-set, but in such a way that the bone protruded slightly. She never opted for corrective surgery, and for the rest of her life, on camera or off, she usually covered the distended bone with bracelets or gloves, depending on the circumstance.One exception was when director Elia Kazan talked her into not wearing a bracelet in the bathtub scene in “Splendor in the Grass” (1961). It is one of the few times when Natalie’s left wrist is exposed to the camera. According to Suzanne Finstad, author of, “… the combination of Kazan’s wizardry, Natalie’s emotional connection to the mother/daughter conflict in the scene, the panic of dousing her head underwater, and the vulnerability she felt at being seen ‘naked’ without her ‘magic’ bracelet produced a hysteria in Natalie that may be her most powerful moment as an actress.”Only a few photos of her show the “flaw” she was so conscious of until very late in life.Many also ascribe her lifelong fear of water and drowning to that incident on the set of “The Green Promise.”Natalie ultimately drowned in 1981, at age 43, after falling off her yacht in the dark while it was anchored at Catalina Island.
Why Did Natalie Wood Always Wear a Bracelet
By Vi_Annalise899 18 May, 2022
Ever notice how Natalie Wood always wears a chunky bracelet on her left wrist. Kazan writes that he cast her in the role partly because he saw in Woods personality a true-blue quality with a wanton side that is held down by social pressure adding that she clings to things with her eyes a quality he found especially appealing Wood with Ruth Gordon at the 23rd Golden Globe Awards.
Pin On The Great Race
May 21 2020.
. During the filming of the scene she suffered an injury to her wrist which never set correctly. Ever notice how Natalie Wood always wears a chunky bracelet on her left wrist. The yacht that Natalie and Wagner owned and subsequently she drowned off of was.
Natalie Woods Bracelets. Opera gloves long sleeves watches bracelets lots of bracelets. Sharing this in common Wayne became an honorary member of their peoples.
The Duke wore this gift immediately as Kirby in The Green Berets. Demure for Maria in West Side Story 61 flashy for Gypsy Rose Lee in Gypsy 62. According to MSN Natalie Wood worked during an era in Hollywood when studios had full ownership over actors careers.
West Side Story 1961 Rebel Without a Cause 1955 and Gypsy 1962. It caused one of her wrist bones to protrude out. Who killed Natalie Woods.
Turns out Natalie Wood truly was the best fit for Rebel Without a Cause. It was published in a European magazine in 1981 but then withdrawn from circulation when Natalie died that year in a drowning accident. On the set of The Green Promise her character was to cross a bridge in the rain which was scripted to collapse.
In fact her performance was so impressive she even walked away with a nomination for Best Supporting Actress. She always had a fear of water. However it also signaled a turning point.
The Publicity Dome Ring With 56 films for television and the silver screen Natalie often chose to wear her dome ring for publicity appearances. Ever notice how Natalie Wood always wears a chunky bracelet on her left wrist. Warren Beatty and Natalie Wood met and began their relationship when filming Splendour in the Grass in 1961.
To hide this she wore bracelets in many of her movies. She always had a fear of water. During the filming of the scene she suffered an injury to her wrist which never set correctly.
After their relationship ended Natalie was so distraught that she attempted suicide. For Wood this was the first script that had really spoken to hera project she genuinely wanted to be a part of. Our match for this dome ring.
Natalie had a soft sexy style vivid brown eyes and a generous smile. Over the years though as she became older and more successful Wood began to fight back. Even in her films Its to hide a small protruding wrist bone thats she was always self conscious of.
Due to an on-set accident when she was small Nat always had her left wrist covered in her later movies and publicity shots. Gurdin concealed the accident and Woods broken left wrist which was never treated resulted in a deformity she covered with a bracelet for the rest of her life the book says. It included a 96 carat cabochon cut simulated jade center stone in a basket weave setting.
In late 1979 Natalie Wood ballooned up and remained out of sight and went into seclusion for over a year. A s I plumbed her past Natalie Woods demons and their origins revealed themselves as if released from a genies. Natalie Wood injured her left wrist while filming The Green Promise 1949.
Actresses like Wood who was trapped under this system since she was a child rarely had control over the roles that they took on. To signify this the Montagnard gifted Wayne the very brass bracelet he would wear for the remainder of his life. Why did Natalie Wood always wear a bracelet on her left wrist.
The arm jewelry is designed to wrap. She always wore large bracelets on her left wrist to cover a bone protrusion from a traumatic accident that occurred while filming The Green. He would then wear it for every subsequent film for the remainder of his life.
The magazine has since folded. Its simply lovely with six diamonds and an oval ruby with 70 carats. 238k Posted by uRussian_Bagel 7.
Even in her films Its to hide a small protruding wrist bone thats she was always self conscious of. But there was ONE photo taken. Even in her films Its to hide a small protruding wrist bone thats she was always self conscious of.
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Why Did Natalie Wood Always Wear a Bracelet
By Ra_Miya268 26 Apr, 2022
Natalie Wood became known as a child star and was most famous for her role in the Christmas classic Miracle on 34th Street. Due to an on-set accident when she was small Nat always had her left wrist covered in her later movies and publicity shots.
Ever Notice How Natalie Wood Always Wears A Chunky Bracelet On Her Left Wrist Even In Her Films It S To Hide A Small Protrudi Natalie Wood Hollywood Natalie
The Biography of Natalie Wood Frank Sinatras right-hand man of 15 years George Jacobs wrote the memoir Mr.
. Natalie Wood born Natalie Zacharenko July 20 1938 November 29 1981 was an American actress and model who began her career in film as a child and successfully transitioned to young adult roles. Born on July 20 1938 in San Francisco and given the name Natalia Nikolaevna Zakharenko she was truly a California girl. For the 50th anniversary of the Motion Picture and Television Relief Fund Wood paid homage.
At just a little over five feet Natalie Wood graced film and television appearing in 56 films. We Match Our Jewelry to Natalie Woods Jewelry. Natalie Wood – Transformation – Hair – Celebrity Before and After.
Natalie had a fear of drowning after falling into a river and almost drowning at the age of nine while she was filming a movie. The actress Natalie Wood was gorgeous on the screen and the camera loved her. Two years after I published Natasha.
The arm jewelry is designed to wrap her wrist tightly and. As she grew through her awkward years it was time to see if Wood could. Even in her films Its to hide a small protruding wrist bone thats she was always self conscious of.
Why did Natalie Wood always wear a bracelet on her left wrist. She always had a fear of water. It was published in a European magazine in 1981 but then withdrawn from circulation when Natalie died that year in a drowning accident.
However she couldnt stay a little girl forever. Ever notice how Natalie Wood always wears a chunky bracelet on her left wrist. It caused one of her wrist bones to protrude out.
West Side Story 1961 Rebel Without a Cause 1955 and Gypsy 1962. But there was ONE photo taken. Demure for Maria in West Side Story 61 flashy for Gypsy Rose Lee in Gypsy 62.
Gold Link Bracelet With Coins Pendants Link Chain Bracelet Etsy Gold Link Bracelet Silver Coin Ring Link Bracelets As she grew through her awkward years it was time to see if Wood could. My Life with Frank Sinatra. Natalie Wood became known as a child star and was most famous for her role in the Christmas classic Miracle on 34th Street.
Jul 11 2013 – Ever notice how Natalie Wood always wears a chunky bracelet on her left wrist. She always wore large bracelets on her left wrist to cover a bone protrusion from a traumatic accident that occurred while filming The Green Promise 1949. In late 1979 Natalie Wood ballooned up and remained out of sight and went into seclusion for over a year.
She was the recipient of four Golden Globes and three Academy Award nominations. Gurdin concealed the accident and Woods broken left wrist which was never treated resulted in a deformity she covered with a bracelet for the rest of her life the book says. Born in San Francisco to Russian immigrant parents Wood started acting at age four and was.
Opera gloves long sleeves watches bracelets lots of bracelets. Natalie Woods Bracelets. As a result of the accident Natalies left wrist was left weakened with a slight bone protrusion she wore oversized bracelets on her left wrist ever since that time to help distract away from it.
The magazine has since folded. Natalie Wood injured her left wrist while filming The Green Promise 1949. On the set of The Green Promise her character was to cross a bridge in the rain which was scripted to collapse.
Even in her films Its to hide a small protruding wrist bone thats she was always self conscious of. To hide this she wore bracelets in many of her movies. During the filming of the scene she suffered an injury to her wrist which never set correctly.
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Why Did Natalie Wood Always Wear a Bracelet
It was published in a European magazine in 1981 but then withdrawn from circulation when Natalie died that year in a drowning accident. On the set of The Green Promise her character was to cross a bridge in the rain which was scripted to collapse.
Pin On The Great Race
Warren Beatty and Natalie Wood met and began their relationship when filming Splendour in the Grass in 1961.
. Due to an on-set accident when she was small Nat always had her left wrist covered in her later movies and publicity shots. In late 1979 Natalie Wood ballooned up and remained out of sight and went into seclusion for over a year. An accident on a movie set when she was 9 years old left her with a permanently weakened left wrist and a slight bone protrusion.
Natalie Wood injured her left wrist while filming The Green Promise 1949. The yacht that Natalie and Wagner owned and subsequently she drowned off of was. Born on July 20 1938 in San Francisco and given the name Natalia Nikolaevna Zakharenko she was truly a California girl.
We Match Our Jewelry to Natalie Woods Jewelry. It seems like Robert Wagner has always been in the movies or on TV. But hes probably even more famous for his off-screen life which includes two separate marriages to screen icon Natalie Wood.
The actress Natalie Wood was gorgeous on the screen and the camera loved her. The arm jewelry is designed to wrap her wrist tightly and. The Biography of Natalie Wood based around more than 400 interviews says the star was temporarily separated from actor husband Robert Wagner and suffered a difficult childhood.
Gurdin concealed the accident and Woods broken left wrist which was never treated resulted in a deformity she covered with a bracelet for the rest of her life the book says. Why did Natalie wood always wear a bracelet on her left wrist. To hide this she wore bracelets in many of her movies.
The Biography of Natalie Wood Frank Sinatras right-hand man of 15 years George Jacobs wrote the memoir Mr. Two years after I published Natasha. But there was ONE photo taken.
It caused one of her wrist bones to protrude out. Natalie had a soft sexy style vivid brown eyes and a generous smile. West Side Story 1961 Rebel Without a Cause 1955 and Gypsy 1962.
She always had a fear of water. Suzanne Finstads book Natasha. Ever notice how Natalie Wood always wears a chunky bracelet on her left wrist.
11-jul-2013 – Ever notice how Natalie Wood always wears a chunky bracelet on her left wrist. During the filming of the scene she suffered an injury to her wrist which never set correctly. Opera gloves long sleeves watches bracelets lots of bracelets.
Demure for Maria in West Side Story 61 flashy for Gypsy Rose Lee in Gypsy 62. Natalie Woods Bracelets. A new biography of late actress Natalie Wood says the star was raped as a teenager by an unnamed movie actor.
At just a little over five feet Natalie Wood graced film and television appearing in 56 films. Even in her films Its to hide a small protruding wrist bone thats she was always self conscious of. After their relationship ended Natalie was so distraught that she attempted suicide.
Even in her films Its to hide a small protruding wrist bone thats she was always self conscious of. The magazine has since folded. My Life with Frank Sinatra.
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Why did Natalie wood always wear a bracelet on her left wrist?
Wear does a male wear a hand bracelet?
There’s really no right or wrong answer to this question. In my opinion, it depends on whether or not the man wears a watch and where he wears his watch. If he doesn’t wear a watch, the bracelet can go on either wrist. However, if he does wear a watch, the bracelet should go on the opposite wrist in order to keep his arm from looking too cluttered. For example, if he wears his watch on his left wrist, he should wear his bracelet on his right wrist.
Natalie Wood’s Life in Photos
1959: A Studio Suspension
Wood was placed on suspension by Warner Bros. after she refused roles in both The Miracle and A Summer Place, and then failed to appear on the set of The Young Philadelphians in protest of another role she was not interested in. The star’s stance against studio head Jack Warner paid off in her favor: She was given permission to choose one of the movies she was in every year.
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